Friday, February 27, 2009
Show Update, pics
The show at Susan Maasch Fine Art is wrapping up this week. I made it just in time to take some installation photos so you can all see what prime real estate I had for the show. I dropped by announced, and caught them unpacking next month's small works show. The gallery will be still be exhibiting these paintings upstairs, so if you missed the show you can visit them next month.
Monday, February 23, 2009
Sunday, February 22, 2009
Big prep
Tuesday, February 17, 2009
PT3: Twin Brooks Stretchers
I was asked, "What makes these stretcher bars so special?" And so I felt compelled to give a review:
I heard about Twin Brooks Stretchers a while from my colleagues, and they came highly recommended. While I can paint a figure like no body's business, I admit, I'm not the best carpenter. I wanted a museum-quality support for my new work, something that I could feel comfortable selling with confidence. I was also in a hurry to make the most of my sabbatical and found, to my great joy, that they could have my stretchers ready in a few days.
When I arrived yesterday Chris Polson and Joe Calderwood greeted me. Chris gave the full tour and the shop was quite impressive. Again, I'm no woodworker, so I won't embarrass myself trying to recount the details of their superior setup. Here are some photos instead:
I will try to explain the basics. To the laymen, a stretcher is the basic skeletal support that a painting is put over. It is "stretched" over it like a drum. Accordingly, in our comment usage, we refer to any underlying support as a "stretcher." To the aficionado, a true stretcher is movable support that can expand and contract with a painting to compensate for the natural expansion that occurs with environmental temperature and humidity. (The sense of stretching comes from behind, not over the top.) Most of what contemporary artists are taught to make are simple unmovable frames, or “strainers” that are glued together at the seams. Building an actual stretcher is beyond the knowledge I care to achieve, when I can leave it to the experts.
Chris patiently explained the mechanics of not only the assembly to me, but also the manipulation. When the canvas is stretched to be primed, the stretcher is pulled together at the corners by these nifty fasteners. As the primer dries, the canvas loosens. This often creates a floppy surface, leaving the artist with the simple frame-strainer with the longing, “ if I only pulled a little tighter during the stretching.” Sadly it’s only fighting against nature, and as Chris explained, those using linen should expect even less ability to pull tight, and more slack after drying. With these stretchers, the corners can be expanded after drying to pull up the slack to as tight a surface as is desired. I’ll spare you further detail, but they can also be shifted to compensate for almost any type of natural warping or torque.
I assembled all three of my new 58 x87 inch stretchers today, and the process was completely painless. Although I admit that I enjoy the challenge of assembling Ikea furniture, this was much, much easier. It took maybe two hours, and I didn’t have to wear protective goggles. or worry about the safety of my fingers. So three cheers for Twin Brooks!
I'll let you read about their Eco-friendly Aspen for yourself, and see photos of the nifty hardware:
http://twinbrooksstretchers.com/tbsbro.html
I heard about Twin Brooks Stretchers a while from my colleagues, and they came highly recommended. While I can paint a figure like no body's business, I admit, I'm not the best carpenter. I wanted a museum-quality support for my new work, something that I could feel comfortable selling with confidence. I was also in a hurry to make the most of my sabbatical and found, to my great joy, that they could have my stretchers ready in a few days.
When I arrived yesterday Chris Polson and Joe Calderwood greeted me. Chris gave the full tour and the shop was quite impressive. Again, I'm no woodworker, so I won't embarrass myself trying to recount the details of their superior setup. Here are some photos instead:
I will try to explain the basics. To the laymen, a stretcher is the basic skeletal support that a painting is put over. It is "stretched" over it like a drum. Accordingly, in our comment usage, we refer to any underlying support as a "stretcher." To the aficionado, a true stretcher is movable support that can expand and contract with a painting to compensate for the natural expansion that occurs with environmental temperature and humidity. (The sense of stretching comes from behind, not over the top.) Most of what contemporary artists are taught to make are simple unmovable frames, or “strainers” that are glued together at the seams. Building an actual stretcher is beyond the knowledge I care to achieve, when I can leave it to the experts.
Chris patiently explained the mechanics of not only the assembly to me, but also the manipulation. When the canvas is stretched to be primed, the stretcher is pulled together at the corners by these nifty fasteners. As the primer dries, the canvas loosens. This often creates a floppy surface, leaving the artist with the simple frame-strainer with the longing, “ if I only pulled a little tighter during the stretching.” Sadly it’s only fighting against nature, and as Chris explained, those using linen should expect even less ability to pull tight, and more slack after drying. With these stretchers, the corners can be expanded after drying to pull up the slack to as tight a surface as is desired. I’ll spare you further detail, but they can also be shifted to compensate for almost any type of natural warping or torque.
I assembled all three of my new 58 x87 inch stretchers today, and the process was completely painless. Although I admit that I enjoy the challenge of assembling Ikea furniture, this was much, much easier. It took maybe two hours, and I didn’t have to wear protective goggles. or worry about the safety of my fingers. So three cheers for Twin Brooks!
I'll let you read about their Eco-friendly Aspen for yourself, and see photos of the nifty hardware:
http://twinbrooksstretchers.com/tbsbro.html
Monday, February 16, 2009
Road Trip P1:Camden's Shop of Horrors
I took a road trip up to Lincolnville, Maine on a quest for some of the world's finest stretcher bars. I had placed an order for the makings of what will be three new 58x87 inch canvases. I'll post some pictures of the shop and more information about this shop tomorrow. Right now, I couldn't resist sharing a few shots of my drive up, which I'll stretch into my professional blog here as "research/inspiration:"
The drive was snowy and bitterly cold, but I couldn't resist a few stops to take some pictures of the frozen lakes. Anyways, I pulled over on my way back trough Camden to record what I though was a remarkably spooky looking tree, and noticed a much scarier house across the street. I was stopped in my tracks on the way back to the car buy these dolls posed in a window, which is something I usually stop for when I have my camera. Then I noticed through the darken interior another doll looking out the opposing window. Backing up, as you can see, there are dolls posed in every window. I was freezing, the light was fading, and was parked illegally, so I took as many pictures as I could. No doubt the people in Camden must know the story behind this perpetual salute to halloween and are no longer impressed, but I found it very amusing.
Saturday, February 14, 2009
Thursday, February 12, 2009
begnaud.com updates
I've been the portfolio site all morning:
*new \Nocturnes (works on paper) section under \Paintings
*3 images posted to \Paintings\Nocturnes
*update to Paintings\Fictions: 2 paintings posted
*high res (1600 pixel) images available on both
I have also been updating my "links" section, which is getting quite extensive. If you haven't been there, I list a selection of contemporary and historical artist websites, links to museums and galleries, as well as a growing Amazon "Bookstore" section where I post reviews of books and CDs that I recommend. Of course, I do get a whopping 4% commission for any items bought there, which is always spent on more art books which I'll review.
Wednesday, February 11, 2009
Winter2
What a difference a tripod makes...
I finally hauled the tripod back to the studio which I've been lugging around Portland, at night, in the snow, to take study shots.
I've only fiddled with the sky and trees since the last post, but the focus on the image is much improved.(Click image for full resolution.)
Tuesday, February 10, 2009
Pesky Macaws
Friday, February 6, 2009
Opening Tonight
The opening is tonight at Susan Massch Fine Art 5-8pm. I'll see if I can sneak some pics; otherwise, I'll be too busy to post.
Thursday, February 5, 2009
Sunday, February 1, 2009
In the show
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