Wednesday, October 21, 2009
Plodding Along
Another case for leaving things alone: the dog. After the cocky "how to paint a dog" post, it's been tough going. The white in the last layer added fluffiness but it destroyed all of the volume from the first layer. I spent a good deal of time painting the volume back in and it will take some work to get the spark back. On a brighter note, the colors used are now meshing together as a whole. The setting is coming along, you can see a frozen marsh area developing on the left, and snow in the foreground.
Overworked, defined
After posting, I realized that I was taking the word "overworked" for granted. Of my handful of readers, there is an even split of artists and non, so I was forgetting that the non-artists may be lost. This blog gets distributed to Facebook, where "overworked" has a much more conventional meaning, the "I'm trapped at the office-overworked" sort of meaning that I genuinely feel for. So, I need to clarify: I'm not overworked, the painting is.
Sometimes a painting goes too far: what was once easy becomes effort, then chore. As a result, the image loses some of the life the artist wishes to convey. When this happens, the picture is overworked. I tend to overwork things, pride myself on the effort, the struggle to bring them back to life. The picture may never regain it's vitality, it's youthful exuberance, but it may gain something of a hard-won maturity-- adulthood, grit. However, sometimes the effort fails, it's a loss, a wash. The torture of the digital age is having a record of the past steps. or what was. In Photoshop, you can click undo. The game of oil painting is a constant wager of risking safe solutions for somethings perhaps better. Of course, this can be addictive. Somethings stages may be better left alone.
Sometimes a painting goes too far: what was once easy becomes effort, then chore. As a result, the image loses some of the life the artist wishes to convey. When this happens, the picture is overworked. I tend to overwork things, pride myself on the effort, the struggle to bring them back to life. The picture may never regain it's vitality, it's youthful exuberance, but it may gain something of a hard-won maturity-- adulthood, grit. However, sometimes the effort fails, it's a loss, a wash. The torture of the digital age is having a record of the past steps. or what was. In Photoshop, you can click undo. The game of oil painting is a constant wager of risking safe solutions for somethings perhaps better. Of course, this can be addictive. Somethings stages may be better left alone.
Tuesday, October 20, 2009
Overworked
I refuse to allow myself to work on this painting anymore. Unlike some of my early blob-successes, this painting was at a graceful state after the first wash of blue, then it has gone progressively downhill. The foreground is crusty mess of successive layers of paint. The figure, perpetually awkward, has been scraped, glazed, and repainted too many times. It's a work on paper, so I should think of it as a sketch, but it's definitely has the surface of a canvas by now.
Monday, October 19, 2009
Sunday, October 18, 2009
Snow Man
This one developed enough atmosphere to call it a start. I'm imagining a tree or two in here as well.
Saturday, October 17, 2009
Wanderer
A wanderer appears, and the scene is considerably darker. More work to do to bring this one back from the murk.
Friday, October 16, 2009
Eastern Michigan University
I have a painting on display in Michigan as part of the exhibition "Contemporary Painting" at Eastern Michigan University's Ford Gallery until November 5. My thanks to old friend and master painter, Michael Reedy, for inviting me to participate in this national invitation exhibition. I just got word from Michael that the painting is on the university's homepage at http://www.emich.edu/. If you wait long enough, it comes into rotation.
Thursday, October 15, 2009
New Hat
Much happier with the figure in this one now, as strange as it is. I should leave it alone now, unless something else occurs to me.
Wednesday, October 14, 2009
Monday, October 12, 2009
Linen4
This face came together pretty fast in only two sessions; the landscape had been sitting around for a while, though.
Thursday, October 8, 2009
Paper Continues
Wednesday, October 7, 2009
Tuesday, October 6, 2009
Panels Continued
Monday, October 5, 2009
Linen Panels
I've been working on (among other things) these small linen panels for the January show. This one is almost there.
Subscribe to:
Posts (Atom)